Second Spanish Republic 1931-36. Precursors and the “Problem of Spain.”. 2. Origins. Al-Andalus. New Epic or Novel? ¿Está interesado Pepe en Augustias para amor o dinero? Ironically, Bernarda is in a way victim of society’s demands but her daughters’ freedom is prevented, not by a man, but by a woman, their mother. As La Poncia begins to clean the mess left by the guests, Adela, the youngest daughter, gives her mother a colorful fan that Bernarda throws down angrily, demanding she be given a black fan to indicate her period of mourning. She also tells them how Adela put on a green dress and went outside to play with the chickens, an act that will surely anger Bernarda. As the mourners leave the house, Bernarda yells after them spitefully that they should gossip about everything they saw in her house, and insists they're not welcome back. Where Adela has a lively, eccentric spirit because of her youth and naivete, Maria Josefa has a longing to find beauty because of her age, because she is near death and likely knows the futility of forcing repressive strictures on oneself. Federico García Lorca. The Immaculate Conception. Magdalena, who was most affected by her father's death in the first half of the act, is an extremely spiteful and bitter person. Bernarda agrees but is also curious what they were discussing. Protection of honour was traditionally the responsibility of the father (or brother/ son) of the family, but honour itself was customarily embodied in the female members (especially daughters, but also wives and fiancées). EL Burlador de Sevilla. However, in order to be able to understand the importance of this theme and the impact it has had on the play, one must first understand the role of female oppression in the Spanish society in the 1930s. Mars. 3. This section … Bernarda and La Poncia appear followed by Angustias who has put make-up on her face. Character Analysis. Not affiliated with Harvard College. Cervantes: What is it about the title “Don Quixote”? Magdalena explains why to Amelia and Martirio: Pepe el Romano is smitten by Angustias and is going to ask for her hand (139). Transition to Provisional Government. However, Lorca's world is not entirely reliant on Bernarda to deliver the strictures on sexuality. History of Spain.18th Century. resource to ask questions, find answers, and discuss the novel. Yerma), and La casa de Bernarda Alba (1936; The House of Bernarda Alba). International Context. General Miguel Primo de Rivera: The Fall of a Dictator. The honour theme has a long tradition in Spanish drama, and was a major element of the theatre of the Golden Age (approx. PLOT SUMMARY Act I. Essay Topics. Lorca: The House of Bernarda Alba. Introduction. She demands a black one, at the same time impressing on her daughters that the house will go into mourning for eight years and that it is she who orders in the house. The Question and Answer section for The House of Bernarda Alba is a great Before she leaves, she demands La Poncia not give any of her dead husband's clothing away. Amelia is the least colorfully depicted in this act, though she does reveal a tendency towards gossip and is the least critical of her mother. All but Adela rush out to see him, and the servant mentions she can see him best from a different room. In La Poncia opinion, Bernarda’s husband is better off dead (120), and her daughters are all ugly (121). It constitutes the third play of Lorca’s dramatic trilogy that also includes Blood Wedding and Yerma, and it was first produced in Buenos Aires in 1945. Velázquez. In the early 1930s Lorca helped inaugurate a second Golden Age of the Spanish theatre. Madrid.1631-60. All the sisters sit sewing or … Their attention quickly turns to Angustias who swiftly passes through asking only what the time is. Summary Act Alba Bernarda 1 Casa. Act 1 summary, Romeo and Juliet Act 1 Summary The scene starts with two servants of the Capulet's, Sampson and Gregory They are discussing how they will fight the Montague's and be civil with the women. The House of Bernarda Alba: ... Summary Paragraph: Lorca uses the motif of doors and windows to symbolise the entrapment and confinement of the daughters by their despotic mother. Overview (2). The House of Bernarda Alba: a drama about women in the villages of Spain, or La casa de Bernarda Alba, is a play by Spanish poet, dramatist, and director, Federico García Lorca, that explores themes of sexual repression, inheritance, and violence among three generations of women in rural Spain. L3-La-Casa-de-Bernarda-Alba--act-1. León. Conversos and Moriscos: Tyranny of Food. Their attention quickly turns to Angustias who swiftly passes through asking only what the time is. Las Meninas. Adela, the youngest daughter, suffers the most. La Poncia makes clear that Bernarda's family is only well-off relative to others in this town, but this angers Bernarda and forces her to draw a line between herself and the maid, to accuse the latter of being lower. Bernarda has very specific ideas of gender roles: "Needle and thread for women. Second Spanish Republic. The House of Bernarda Alba (La Casa de Bernarda Alba) (THBA) is a three-act play and Lorca’s last drama. Report a problem. Instead of channeling her iron will into rejecting society’s demands, she has been co-opted to imprison her daughters in her house until they are married. The House of Bernarda Alba is a reflection of Lorca's intense theatrical sense, meaning that the play's focus is less its simple plot and more the atmosphere created around it.. History of Early Christian kingdoms. La Poncia attempts to talk to Bernarda as a friend, insisting they share secrets, but Bernarda is insulted by being spoken to forthrightly by a maid and insults her. La Poncia is Bernarda's head maid, and the woman who knows Bernarda best. Velázquez: Las Meninas (1656) and Reality. Symbols & Motifs. He was also gay, and his homosexuality together with his sympathy for Republican causes made him a target of conservatives. Bernarda rules the household with an iron hand. Restoration 1900-1923. Mercury. Act I The action opens in a "very white room in Bernarda Alba's house.'' Velázquez (1599-1660). Background to Acts II and III: Act I traces the tense, stormy relationship between the principal occupants of Bernarda’s house (where all the action takes place): Bernarda, the domineering mother, her five unmarried daughters, Angustias, Magdalena, Amelia, Martirio and Adela, and the maid La Poncia.No men appear on stage, but they are constantly present in the conversation. The House of Bernarda Alba (Spanish: La casa de Bernarda Alba) is a play by the Spanish dramatist Federico García Lorca. Bodegones and Daily Life. La Vida es Sueño. Overview (1). Early 15th-Century. La Poncia Bernarda's maid and confidante. Prudencia tells Bernarda that her family is feuding, that her husband has never forgiven their daughter for an indiscretion. The Supper at Emmaus. International Relations. 15th Century. Bernarda scolds her for wearing this on the day of her father's death – Angustias's reminder that her father died long before and the dead man is her step-father falls on deaf ears – and Bernarda forcefully wipes the make up of the girl's face. Introduction. Garcia Lorca did not include it in his plan for a "trilogy of the Spanish land" (which remained unfinished at the time of his murder). Velázquez. Alfonso X el Sabio and the Cantigas de Sta. From their dialogue, it transpires that women’s reputation is quickly lost while men cover for each other (136). History. Visigoths and Unity: Monarchy. Summary. ¿Por qué es Bernarda tan dominante sobre sus hijas? Lorca. Restoration 1902-1931. Bernarda’s attention turns to disposing of her husband’s clothes after the Criada appears (134). Adelaida is unable to leave the house because of her boyfriend. Although she has served Bernarda for 30 years (120), La Poncia has no love for her mistress whom she describes as cold, domineering, tyrannical (119) and hated by everyone (120). Summary. She is worried about what Angustias might have heard, and La Poncia insists that the daughters need to find husbands. Second Spanish Republic. He either knew or was friends with virtually all the major artistic celebrities of the first third of the 20th century in Spain, including the eccentric surrealist painter, Salvador Dalí, the radical film director Luis Buñuel and the composer Manuel de Falla. Adela leaves the room and the women hear Maria Josefa screaming from offstage. Garcilaso de la Vega. The action takes place entirely in Bernarda Alba’s house in an unidentified village in Andalusia. Society allows men liberty to leave the house and experience sexual freedom it denies women. El Buscón. Charles V’s Palace in the Alhambra. It's a story Bernarda knows and uses cruelly to insult Adelaida's mother, but nothing can be done because a man cannot be arrested for sexual deviance. Themes. Resource including all the** Key quotations in Spanish from Lorca’s play ‘***La Casa de Bernarda Alba’*!Analysis of the quotations including act, page and character references for the new spec AQA A LEVEL SPANISH 7962 (but relevant to any other boards with an essay on CDBA too).. Thick walls. When Martirio and Amelia express pleasure at the news, Magdalena accuses them of lying, saying that they all know Pepe is only interested in her money since Angustias is old and sickly. Other women enter the house briefly but only one is given a name, Prudencia. This mind-map is about the character of Bernarda in the play. Angry, Bernarda wipes the make-up off Angustias’s face and reminds everyone that she rules in her house. Adela rather maliciously informs Bernarda that she has seen Angustias peeping through the cracks in the door. A Gem of Mozarabic Architecture. Bernarda and La Poncia appear followed by Angustias who has put make-up on her face. “Kill her! [1] No pudo ser estrenada ni publicada hasta 1945, en Buenos Aires y gracias a la iniciativa de Margarita Xirgu.Expone la historia de Bernarda Alba, que tras haber enviudado por segunda vez a los 60 años, decide vivir los siguientes ocho años en el más riguroso luto. Pienso que es muy interesante que el personaje con las más líneas no sea Bernarda, quien es el nombre de la obra, o una de las hijas, y en vez sea la Poncia. Learn. As soon as the mourners leave, Bernarda launches into an attack on their “poisonous tongues” and on the “cursed village” where even drinking the water from the well runs the risk of being poisoned (128). Navarre. For example, even the servants are cruel to those of lower classes. 2016. Bernarda and La Poncia enter, the former complaining about the issues of managing the inheritance, not much of which will go to any of the girls. Men are free, women are punished if they break society’s norms. Second Spanish Republic. This explains much of both Bernarda's disdain for lower class people and her daughters' aloofness. Adela: “Men are forgiven everything,” Amelia; “to be born a woman is the greatest punishment.”. 5.1.2.1 Sospechas de los líos de Adela y aumento de tensión en el ambiente 5.1.3 III acto: noche 5.1.3.1 Se descubre la verdad, Adela muere, renovada autoridad de Bernarda Compare La Poncia observation regarding men after marriage and the fate of La Librada’s daughter at the end of Act II. The act opens at night, in a room in Bernarda’s house adjacent to the corral. Gravity. A servant enters and almost hears her talk. It … (For those who read Spanish, numerals in the summary refer to page number in the Spanish text.). History of the Jews in Spain to 13th Century. The House of Bemarda Alba is Fedenco Garcia Lorca's last play, written the year he was killed at the outbreak of the Spanish Civil War.The play, along with Blood Wedding and Yerma, forms a trilogy expressing what Lorca saw as the tragic life of Spanish women.These late works Dennis Klein in Blood Wedding, Yerma, and The House of Bernardo, Alba called "the most … Her daughter Amelia tries to calm her down. Instead of channeling her iron will into rejecting society’s demands, she has been co-opted to imprison her daughters in her house until they are married. Start studying La Casa de Bernarda Alba: Act 1. The old woman then becomes like a prophet from a Greek tragedy: she warns Bernarda that the young girls are "longing for marriage, turning their hearts to dust," but her warnings go unheeded and she is locked away. At the same time, her authoritarianism also allows Lorca to insert other universal preoccupations into the play: the role of authority, the search for independence, the consequences of confinement, the tensions created by envy, hate, greed, love, jealousy, sex, hypocrisy …. Cast List Bernarda, aged sixtyMaría Josefa, (Bernarda’s mother), aged eighty Angustias, (Bernarda’s daughter), aged thirty-nine Magdalena, (Bernarda’s daughter), aged thirty Amelia, (Bernarda’s daughter), aged twenty-seven Martirio, (Bernarda’s daughter), aged twenty-four Adela, (Bernarda… 19 thoughts on “La Casa de Bernarda Alba- Actos 1 y 2” ervisc20 says: April 11, 2018 at 12:36 am. Maria Josefa wants to marry by the sea, an impossible idea but one that the girls could learn from if Bernarda were not so quick to squash that liveliness and spirit. Velázquez’s Early Years and Seville, 1599-1623. History of the Jews and Conversos in Spain. For women, freedom is a constant and unwinnable battle. How can I re-use this? When La Poncia suggests that the townswomen showed sympathy, Bernarda insists it was only to gain fodder for their gossip. In August 1936, he was executed by a firing squad outside his native city of Granada, shortly after the beginning of the, Protection of honour was traditionally the responsibility of the father (or brother/ son) of the family, but honour itself was customarily embodied in the female members (especially daughters, but also wives and fiancées). Spanish Food. I see no evidence of Adelaida's father's identity. En tanto que de rosa… Analysis. Unions and Forces of Order. When Angustias replies “, Bernarda’s attention turns to disposing of her husband’s clothes after the Criada appears (134). It covers the full act 1 as a reading companion, fully written in Spanish, including quotes, themes, characters and important scenes. 1931-33. They are replaced onstage by Amelia and Martirio. This section contains 467 words (approx. La Casa de Bernarda Alba - English Translation Act 1 Essay. The Church June 1931-November 1933. Arched doorways with canvas curtains edged with tassels and ruffles. Golden Age Art: Religion, Politics, Art in the 16th Century. Act II (The bright white interior of Bernarda’s house.The doors on the left lead to the bedrooms. She is, however, a neighbor. How does the drama The House Of Bernarda Alba represent the society at that time? The Kharjas: Early Lyrical Poetry in Spain. (Act I, Page 158) La Poncia says this in the first scene to describe Bernarda before she has made her first appearance onstage. 1. All Rights Reserved. The House of Bernarda Alba - Act 1 Part 1 Summary & Analysis. Day 17 Sos and Leyre Monastery, Travel 2013 Day 18. Alfonso X. El Sabio: Histories and Translations. Federico García Lorca Tercer acto: la resolución Características de la obra La casa de Bernarda Alba Su vida y educación Nació en el año 1898 en Fuentevaqueros, un pueblo cerca de Granada, España Murió asesinado a principios de la Guerra Española en 1936 Cursó derecho y filosofía The other quality of marriage is a suffocation of the individual spirit. Magdalena suggests she should give it to Angustias (141) for her wedding to Pepe. Nov1933-Feb1936. Spain. Sonnet 1. A study of image, symbol, and theme in La casa de Bernarda Alba Iris Scribner Bird University of the Pacific Follow this and additional works at:https://scholarlycommons.pacific.edu/uop_etds Part of theSpanish Literature Commons, and theTheatre and Performance Studies Commons Lorca. Magdalena explains why to Amelia and Martirio: Pepe el Romano is smitten by Angustias and is going to ask for her hand (139). Adela hands her one decorated with red and green flowers, which Bernarda immediately hurls to the ground as inappropriate to give to a widow. Characteristics. Page 1 of 41. They are interrupted by the Criada who informs them that Pepe el Romano is coming along the street. Introduction and Status Symbol. Whiplash and mules for men." The House of Bernarda Alba: Chapter Notes – Act 1. Her desperation is apparent in this section as she secretly listens to the men and wears excessive make up in anticipation of Pepe's arrival. Alemán. Bernarda criticizes Adela for having been there herself, but saves her real ire for Angustias, whom she hits with her cane as punishment for lusting after men on the day of her father's funeral. The author • Bodas de sangre (Blood Wedding) [Th] • Yerma [Th] • Romancero gitano (Gypsy Ballads) [P] • Seis poemas gallegos (Six Galician Poems) [P] 1. Generation of 1898. History, Content, Significance. Poema de Mío Cid: Is the Cid Spain’s Hero? Burgo de O to Sos del Rey, Travel 2013. Prelude to Civil War. Lorca. Her first word, “Silence,” addressed to the Criada, is followed by further commands to a child (“Be quiet”) and to Magdalena (“Stop crying,” 124). Her only crime was to enjoy the sexuality, and yet she is singled out by Bernarda and La Poncia as the villain. On the walls are paintings of "unlikely landscapes full of nymphs or legendary kings." Bernarda orders the servants to let her out, and one servant tells Bernarda how the old woman has been misbehaving, yelling and dressing in her nice clothing, insisting she wishes to be married. History of the Jews in Spain. Amelia and Martirio are happy for their half sister, but Magdalena questions their sincerity: “Neither of you is happy” (139). They are listed here in order of age: Angustias, whose name in translation suggests "anguish," is the oldest, and quite sickly. Soucieuse des apparences et du qu’en-dira-t-on, la maîtresse de maison définit pour ses cinq filles, âgées de 20 à 39 ans, les règles d’une nouvelle société The scene opens in a slightly different white room, deep in the house. The plot in this section is simple: Angustias is likely to marry Pepe el Romano because of her money, and Adela is in love with him. The House of Bernarda Alba (La casa de Bernarda Alba): Act I ... Act I (The bright white interior of Bernarda’s house. Write. Furthermore, Magdalena adds, Pepe is only after the money and Angustias is old (39 years old) and sickly (139). Created by sebpell. This mind-map is about the theme of hypocrisy in the play. And that’s the final, third act of the play. Pepe el Romano key to all women's despair. Her daughter Amelia tries to calm her down. Tes Paid Licence. Created by. La Casa De Bernarda Alba Essay Topics . She insists men care only about a woman's inheritance when it comes to marriage, and not beauty or sex. Martirio tells how the girl, Adelaida, was born of incest and will likely end up in the same incestuous situation. Start studying La Casa de Bernarda Alba: Act 1. However, without a man, one runs the risk of ending up like Martirio, who is deeply depressed ever since she was ignored by her potential husband. He was executed by a Nationalist firing squad in the first months of the Spanish Civil War.… Blood Wedding. THBA is frequently classified as a tragedy together with his other best-known plays, Bodas de sangre (Blood Wedding, 1933) and Yerma (Barren Woman, 1934. Act I. Rush chairs. The name means "swollen ankle" and is a character is a popular Spanish children's story about a friendly horse that hurts his ankle during a performance. PLAY. Spain’s Jamón Ibérico. San Juan de la Cruz: Noche oscura. This resource follows the play “La Casa de Bernarda Alba”. Martirio admits to being afraid of men and considers herself weak and ugly. Lost honour required redress, usually by killing the offender. Flashcards. It contains analysis, questions for the students to write their own reflections and summary of important moments of the play. Read their story here Summary In this act, we first learn about the funeral of Bernada’s husband, followed by the introduction of the different female characters and our impression of them based on their conversations. Angustias walks across the stage, and her sisters discuss how the town is talking about how Pepe el Romano will soon propose to her. Poetic Innovations. Poet, dramatist, pianist, artist and theatre director, Federico García Lorca (1898-1936) is arguably the most famous Spanish literary figure of the 20th century. The House of Bernarda Alba. She tells Bernarda with passion that she wants to escape and marry by the sea, but Bernarda screams until the old woman is captured and forced back to her room. García Lorca, Federico La Casa de Bernarda Alba eds. The Alba household is made up entirely of women, nine in all. However, the implicit truth is that all the girls are infatuated with him, which leads to the play's central theme again, that of repression. When the curtain rises, nobody is onstage, though bells can be heard from offstage. According to La Poncia, a married woman –Paca la Roseta- was a willing sexual participant with one of the village men while her husband was tied up to a manger (132). Garcia Lorca did not include it in his plan for a "trilogy of the Spanish land" (which remained unfinished at the time of his murder). Amelia, Martirio and Magdalena rush out, but Adela –following the suggestion of the Criada—goes to her bedroom window where she will get a better look at Pepe. It was completed in June 1936, a couple of months before his death. Bernarda tells the Criada to let her mother out into patio before she turns her attention to Angustias who has disappeared. An introductory lesson based only on act 1 designed to be used before and while students are reading the act, with main quotes, main vocabulary, reading comprehension activities, summaries and mini essay writing questions. Once the mourners have left and the family is alone, their suffering is made apparent. Spanish Civil War: An Overview of the Causes. The Catholic Church and the Spanish Civil War. Lope de Vega, the most popular and influential dramatist of the period, claimed that honour conflicts moved all people powerfully. The Seville Years. Lorca. It is a titillating event. The family and a guest, Prudencia, are eating. Mind-map of key themes and characters in La Casa De Bernarda Alba by Lorca including quotes purple and explanations. Second Spanish Republic. Bernarda shouts for Angustias, berates her for going after men and demands to know who she was looking at. Al-Andalus: 10th Century. Argoños. There are indications in later acts that she is a hunchback. Summary As the mourners leave the house, Bernarda yells after them spitefully that they should gossip about everything they saw in her house, and insists they're not welcome back. The Catholic Church after the Spanish Civil War. Of course, it's a fallacy – even Bernarda herself is excited by hearing of Paca La Roseta, the girl who was kidnapped by the nearby men, though she frames it as a delight in hearing of a "bad woman" punished. Don Quixote. In this act, we first learn about the funeral of Bernada’s husband, followed by the introduction of the different female characters and our impression of them based on their conversations. Quevedo. When Angustias replies “No-one,” Bernarda hits her (131) and dismisses all her daughters (132). The Great Mosque of Córdoba. Casa Batlló, Park Güell, La Pedrera. She’s interrupted by Maria Josefa holding a lamb and singing a song. Adela rather maliciously informs Bernarda that she has seen Angustias peeping through the cracks in the door. The only outlet a woman seems to have in this village is marriage, and of course, that is not painted in positive terms, but rather terms of money and class. Rebelliously she refuses to shut up when ordered by Bernarda and is finally dragged away shouting “I want to get away from here and get married on the shores of the sea” (146). It was completed in June 1936, a couple of months before his death. What Does the Term Mean? In August 1936, he was executed by a firing squad outside his native city of Granada, shortly after the beginning of the Spanish Civil War (July 1936-April 1939). Lust is something that can destroy a woman in this world, and yet because it is natural, the attempts to repress it force these women to respond to each other spitefully. Adela enters and they make jokes about her dalliances with the chickens. Golden Age Architecture. Asturias. History. En tanto que de rosa… Analysis. Don Quixote and the Real World. Cantigas Gallego-Portugesas. Cantigas de amigo. Bernarda, five daughters –Angustias, Magdalena, Amelia, Martirio and Adela–, her deranged mother (María Josefa), and two servants, La Poncia and the other called simply Criada (i. e. Maid). Part II (1615). Lorca was also a leading light of the Group of ’27, a circle of remarkable poets which included Rafael Alberti, Pedro Salinas, Jorge Guillén, Dámaso Alonso and Vicente Aleixandre (Nobel Prize winner for literature in 1977). Over a few days, we witness the tense relationship between the nine individuals who live in the house: the domineering matriarch and owner, Bernarda, her five unmarried daughters –Angustias, Magdalena, Amelia, Martirio, and Adela—, Bernarda’s unstable mother María Josefa, and the two maids, La Poncia and the other called simply Criada (i. e. Maid). Bilbao, Guggenheim Museum. No men appear on stage, but they are constantly “present” (especially Pepe el Romano) through the conversations of the women. When La Poncia tells Bernarda’s daughters that she had paid for her son to have his first sexual experience (Act II 159) because “men need these things,” Adela and Amelia’s reply sums up their frustration as they see it. 1599-1623. Lorca overturns the traditional male protector role, allowing a woman to adopt the same preoccupation and to seek the same kind of solution (she tries to shoot Pepe el Romano -Angustias’s betrothed and Adela’s seducer–, but he succeeds in escaping). Her first word, “, As soon as the mourners leave, Bernarda launches into an attack on their “, The conversation is interrupted by shouts from Bernarda’s unstable mother, María Josefa, who is locked up in her room (129-130). Despite several attempts after the Civil War to locate his burial place, his body has never been found, a fate he shares with thousands killed during the war. La Poncia: “, At this point (123), Bernarda arrives accompanied by her five daughters and several women mourners, all dressed in black. Magdalena might seem cruel to us when she accuses Martirio and Amelia of hypocrisy, but we as the audience know she's right – after all, the latter two girls had only moments before been lamenting that Augustias was attractive to Pepe solely because of her money. Copyright © 2009 Spain Then and Now. Print Word PDF. Created by. Honour, social status and appearance are her guiding principles. Spain after the Civil War. Sale. Write. The House of Bernarda Alba - Act 3 Part 1 Summary & Analysis. Bernarda tells the Criada to let her mother out into patio before she turns her attention to Angustias who has disappeared. Tirso de Molina. On the walls are paintings of "unlikely landscapes full of nymphs or legendary kings."
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