Old Man Praying is an oil on canvas that is currently located at the Cleveland Museum of Art, Ohio.The old man sits in the dark, no environment or background were drawn onto the painting. In his great dramatic painting, Rembrandt tells a story from the Old Testament (Daniel 5: 1–5, 25–8). Open Content images tend to be large in file-size. His father had robbed the Temple of Jerusalem of all its sacred vessels. The paint surface of the lower part of the remaining fragment suffered badly, such that it had to be repainted, Bust of a Bearded Old man in Fanciful Costume, On the basis of the pattern of cusping, it may be concluded that the painting was tilted to the left by later hands and cut to shape accordingly. Bust of a Bearded Old Man is Rembrandt’s smallest known painting, and the only grisaille by the artist in private hands. A delicate but superb 17th century/lifetime impression of Bartsch, Usticke and New Hollstein’s second … was probably added later by another hand. Companion piece to 118b, Portrait of a 41-year-old Man, possibly Pieter Sijen, Portrait of a 40-year-old Woman, possibly Marretje Cornelisdr van Grotewal, Self-portrait in a Cap and Fur-trimmed Cloak, The painting was originally probably wider than it is today, Rembrandt and workshop. https://www.theguardian.com/.../2020/aug/14/rembrandt-bearded-old-man Here the craggy features of the old man, a model who appears frequently in Rembrandt’s early work, contrast poignantly with his worldly trappings: a gold chain, steel gorget, and plumed beret. Ohne Rahmen voraussichtlich gedruckt in: 20 Wochentagen (Mo.-Fr.) Rembrandt Van Rijn; Old Man Praying; Colors used: Frame your art: VIDEO: All you need to know about frames. Jetzt günstig kaufen - auch auf Rechnung! The following other wikis use this file: Usage on ca.wikipedia.org Usuària:Jane023/Llista d'obres de Rembrandt; Usage on cs.wikipedia.org Wikipedista:Wesalius/Seznam děl Rembrandta; Usage on … Bust of a Man Wearing a Gorget and Plumed Beret, Self-Portrait Study in the Mirror (the Human Skin), Judas Repentant, Returning the Pieces of Silver, Jeremiah Lamenting the Destruction of Jerusalem, Half-figure of a Man Wearing a Gorget and Plumed Hat, Portrait of a Man, probably a Member of the Van Beresteyn Family, Portrait of a Woman, probably a Member of the Van Beresteyn Family, Portrait of a 62-year-old Woman, possibly Aeltje Pietersdr Uylenburgh, Portrait of Jan Rijcksen and his Wife Griet Jans, Diana Bathing with her Nymphs, with the Stories of Actaeon and Callisto, Self-portrait wearing a white feathered bonnet, Self-portrait as the Prodigal Son in the Tavern, The Parable of the Labourers in the Vineyard, Girl in Fanciful Costume in a Picture Frame, The Company of Captain Frans Banning Cocq and Lieutenant Willem van Ruytenburch (Night Watch), Joseph's Dream in the Stable at Bethlehem, The So-called Large Vienna Self-portrait with Beret, Moses Smashes the Stone Tablets with the Covenant, Self Portrait with Beret and Turned-Up Collar, Musée départemental d'Art ancien et contemporain, The Conspiracy of the Batavians under Claudius Civilis, Portrait of the Syndics of the Amsterdam Clothmakers’ Guild, known as the ‘Staalmeesters’, Self-portrait as the Laughing Zeuxis while Painting an Old Woman, ‘Portrait Historié’ of a Couple as Isaac and Rebecca (known as ‘The Jewish Bride’), "The Louvre Abu Dhabi acquired a $12 million Rembrandt painting", Diana Bathing with her Nymphs with Actaeon and Callisto, Pendant portraits of Maerten Soolmans and Oopjen Coppit, The Archangel Raphael Leaving Tobias' Family, Ahasuerus and Haman at the Feast of Esther, Self-Portrait Wearing a White Feathered Bonnet, Self-Portrait in a Black Beret and Gold Chain, Self-Portrait with Beret and Turned-Up Collar, Galleria Nazionale di Capodimonte, Naples, Still life paintings from the Netherlands, 1550-1720, https://en.wikipedia.org/w/index.php?title=List_of_paintings_by_Rembrandt&oldid=1003899464, Creative Commons Attribution-ShareAlike License, The abraded face of Philip has been unsatisfactorily retouched, There are darkened overpaintings on both sides of the seams of the panel, Mary’s cloak has been overpainted by another hand later; it was probably a lighter blue-grey in the original, An Old Man Asleep by the Fire (perhaps typifying ‘Sloth’), Two Old Men Disputing (St. Peter and St. Paul), The painting is covered with a thick layer of yellowed varnish, The painting is covered by a layer of yellowed varnish and shows darkened retouches, Self-portrait with Beret and Gathered Shirt (‘stilus mediocris’), Bust of an Old Woman at Prayer (‘stilus gravis’), Reduced to an oval form, subsequently made into a rectangle by additions, The painting is poorly preserved in the thinner areas, The painting has been cropped on all sides, The panel, which was originally taller, must have been cropped at top and bottom. Old Man with a Red Cap. His father had robbed the Temple of Jerusalem of all its sacred vessels. An Old Man in Military Costume. The man in the gold cloak, enormous turban and tiny crown is Belshazzar, King of Babylon. The identity of the figure in the painting is, however, unknown. In this painting, Rembrandt turned his attention to the subject of old age, a recurring theme in his work that was also the focus of a large number of self portraits. Follower of Rembrandt. Object Details. The darker parts of the costume were originally lighter and more colourful, Strips of canvas of considerable width are missing on the side and top edges, The size of this painting has been altered several times, as has its format (from rectangular to oval to rectangular to oval again), The painting was probably cropped on all sides. This painting can be viewed at Art Institute of Chicago, Chicago. The upper corners of the background are digitally reconstructed, Portrait of the Preacher Eleazar Swalmius, The Risen Christ Appearing to Mary Magdalene, Covered with a disturbing layer of yellowed varnish. Object Details. Rembrandt Harmeszoon van Rijn (1606–1669) zählt zu den bedeutendsten Malern des Barock in Europa und den führenden Künstlern des „Goldenen Zeitalters“ der niederländischen Kunst (→ Rembrandt: Steckbrief fasst alle Daten zu Rembrandt van Rijn kompakt zusammen). Rembrandt Half-figure of a Bearded Man with Beret.jpg 434 × 550; 18 KB. ‘Old man with turban’ was created in c.1625 by Rembrandt in Baroque style. Rembrandt Old Bearded Man in a High Fur Cap, with Eyes Closed, c. 1635 is framed to museum-grade, conservation standards, presented in a complementary moulding and finished with linen-wrapped mats and optical grade Plexiglas. Judith?) In the possession of P. and D. Colnaghi and Obach, London. The Allentown Art Museum in Pennsylvania says the 17th-century "Portrait of a Young Woman," long considered the work of someone in Rembrandt's studio, is in fact by the Dutch master himself. Old Man with a Gold Chain, 1631 von van Rijn Rembrandt - Gemälde-Reproduktion und Kunstdruck auf Leinwand 9071 bei TOPofART.com Rembrandt or Samuel Hoogstraten - Young Man in a Turban.jpg 631 × 768; 107 KB. It belonged to a batch of equally large poplar panels, which makes it possible to speculate about the original size of the painting, Portrait of a Man Standing, possibly Andries de Graeff, The heavily damaged fingers were reconstructed during a restoration in the 1960s, Rembrandt and workshop? Details. Rembrandt depicted this model so frequently that many assumed he was the artist’s father, though no evidence for this claim exists. Companion piece to 77a, Originally rectangular and larger on all sides, Half-figure of a Young Woman in Profile with a Fan, Knee-length Figure of a Man in an Oriental Dress (‘The Noble Slav’), A Scholar Near a Window (a study in ‘kamerlicht’), The figure of a woman on the stairs is scarcely visible; possibly a pentimento, Rembrandt and (perhaps) workshop. 95.5% 60.62K Views. Datei:Rembrandt - An Old Man in Full Face.jpg. 44). The Hague, Huis ten Bosch (Dutch Royal Collection). Rembrandt Harmensz van Rijn - Man in Armour - Google Art … Companion piece to 132b, Rembrandt and workshop. Check out our rembrandt old man selection for the very best in unique or custom, handmade pieces from our shops. Rembrandt is 4 years old and such a ladies man. According to Ernst van de Wetering, a Dutch art specialist, the anonymous old man in the painting is almost certainly one of the most prominent figures in Czech history - the teacher of nations Jan Amos Comenius. The man is richly dressed in a sumptuous black velvet coat and feathered hat, sporting a gold-hoop pearl earring, as well as both a heavy gold chain and steel … Sale. This painting was documented by Hofstede de Groot as a portrait of Rembrandt's father in 1915, who wrote; "675. Round his neck is a small close-fitting steel gorget. It is covered by a disturbing layer of yellowed varnish, The painting has been cropped both at top left and bottom. The pigments are the original used in the 17th century. Bust to the left, in a cloak with fur collar, anonymous historical person portrayed, old man, Rembrandt van Rijn (copy after), 1730 - 1774, panel, oil paint (paint), h 18.3 cm × w 14.5 cm d 3.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays … View in Augmented Reality. Painted about 1631. Painting a RembrandtIn this video, the focus lies on the underpainting. The woman’s left hand, which originally hung in a lower position, and the table on which it now rests, are probably executed by Rembrandt himself, Rembrandt (and workshop?) Rembrandt depicted this model so frequently that many assumed he was the artist’s father, though no evidence for this claim exists. The rich costume that he is wearing gives no indication of the old man’s occupation or social status. Not on view due to temporary Getty closure. Gemafreie Musik. A 10 cm wide strip has been added or replaced along the right edge, Strips of c. 15 cm may have been removed on all four sides as early as the seventeenth century to accommodate the painting in an assemblage of self-portraits owned by the Medici family. Half-length, without hands ; almost life size. Rembrandt follower - Old Man in Fanciful Costume Holding a Stick - E1924-3-89-nyd.jpg 1,281 × 1,500; 294 KB. 43. Old Man with a Gold Chain is a portrait by Rembrandt, painted around 1631 and now in the Art Institute of Chicago. Many of the contours have been strengthened by a later hand, Posthumous Portrait of Saskia van Uylenburgh as Flora, ‘Portrait Historié’ of an Unknown Gentleman as St Bavo, Lighting Study with an Old Man as a Model, Lighting Study with Hendrickje Stoffels in a Silk Gown as a Model, A narrow strip is missing along the left side, a consequence of woodworm attack. Harvard Art Museums Cambridge, United States. Saskia warrants a separate analysis. 143.5 × 136.5 cm (56.4 × 53.7 in). Signed with the artist’s monogram and dated in the plate upper left RHL 1631 (extremely faint). Companion piece to 64a. The dark patches in Uzziah’s face are probably painted indications of his leprosy, The panel has been trimmed on all sides. The painting appears to be a fragment of a considerably larger self-portrait, The figure may have been placed before a larger, rather lively background, Portrait of an Unknown Scholar (also known as ‘The Auctioneer’), Preparatory Oil Sketch for the Etched Portrait of Lieven Willemsz van Coppenol, Oil, transferred from panel to gauze and then stuck on a new panel, The painting must have been cropped on all sides. The skin tones change their colours with the underpainting and let it show through. Blisters and traces of other fire-damage are still visible along the upper edge and in the hands of the dissector, Dr Deyman, Portrait of a Gentleman with a Pair of Gloves, Companion piece to 248b. Seated with eyes nearly closed and hands clasped in prayer over a large book, the figure appears still and introspective. Digital image courtesy of the Getty’s Open Content Program Any Czech who remembers the picture of Jan Amos Comenius from history textbooks would have to notice the … Very (realistic/ true to nature?) Companion piece to 217a, The panel, whose grain runs horizontally, may have extended further on the left where there could have been a window, Christ Appearing to Mary Magdalene, ‘Noli me tangere’, The painting is in an extremely bad condition and shows disturbing blanching in places, The painting was originally taller. Aristotle with a Bust of Homer. The horse is painted by a different painter, possibly Titus van Rijn, Bust of a Bearded Young Man with a Skullcap, The originally more differentiated background is overpainted with black, Old Man in an Armchair, possibly a portrait of Jan Amos Comenius, Covered with remnants of darkened varnish, Titus Reading (study in direct and reflected light), Portrait of Jan Boursse, Sitting by a Stove, Museum Oskar Reinhart ‘Am Römerholz’, Winterthur, Probably painted in preparation of an unrealized etched portrait. Note we are only able to ship framed paintings up to a certain size. Sprache; Beobachten; Bearbeiten; Datei; Dateiversionen; Dateiverwendung; Globale Dateiverwendung; Metadaten ; Größe dieser Vorschau: 414 × 600 Pixel. The J. Paul Getty Museum, 78.PB.246. In a private collection, Chicago. Albrecht Dürer Woodcut The Martyrdom of Ten Thousand, c. 1496 $11,000 ID # w-5123. Sale. An old man in military costume by Rembrandt (Getty Center)‎ (3 F) An Old Woman Reading, Probably the Prophetess Hannah (Rijksmuseum) ‎ (4 F) The Anatomy Lesson of Dr. Nicolaes Tulp ‎ … oil on canvas. Read more. The face has suffered from surface wear, property of M.C.A. 1 The deep resonance it carries for the beholder arises from an extraordinary paradox: its size—it fits in the palm of one’s hand—belies its monumentality. Originally rectangular and possibly also larger below, Rembrandt and mainly workshop. Rembrandt or follower - Bearded Old Man with a Cap.jpg 1,016 × 1,369; 198 KB. Rembrandt - Woman in Oriental … The painting needs to be seen in terms of Rembrandt's experimentation". Original etching printed in black ink on laid paper. The painting is covered with a yellowed varnish, The painting is in a badly overcleaned and abraded condition, The canvas was reduced on the right. 1653. oil on canvas. Rembrandt van Rijn Wer war Rembrandt? This painting was documented by Hofstede de Groot in 1915. Companion piece to 77b, Portraits of Susanna van Collen and her Daughter Anna, Rembrandt and (in the main parts) workshop. When he smiles he shows all his teeth. 1650-1659. oil on canvas. The canvas has been reduced at the left and bottom, Serious overcleaning and related overpaintings are evident in the shaded part of the face and in the costume. Rembrandt: Old Man in an Armchair, possibly a portrait of Jan Amos Comenius Artist: Rembrandt (1606–1669) Alternative names: Rembrandt van Rijn, Birth name: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. This painting can be viewed at Art Institute of Chicago, Chicago. van Rijn: Description: Dutch painter, printmaker and draughtsman: Date of birth/death: 15 July 1606 4 October 1669 Location of birth/death: Leiden: Amsterdam: Work period: … Die Farbdarstellung und der sichtbare Bild-Ausschnitt sind von der Farbkonfiguration Ihres Bildschirms und der gewünschten Bildgröße abhängig und können leicht vom gezeigten Beispiel differieren. A tiny painting of a weary, melancholic old man long rejected as a fake and consigned to a museum basement has been revealed as one from Rembrandt’s workshop, and possibly by the man himself. The painting is now almost hidden behind a strongly discoloured or tinted layer of varnish under which there also seem to be extensive overpaintings, A strip of c. 10 cm is missing from the bottom, This painting remained unfinished in his studio after Rembrandt’s death. Rembrandt - Travellers Resting.jpg 3,392 × 3,840; 1.25 MB. It is covered by a disturbing layer of yellowed varnish, The painting was larger at both top and bottom. Marczell von Nemes of Budapest, Paris, June 17, 1913, No. 52.4 × 37 cm (20.6 × 14.5 in). Thus in 1957 a fine, signed Rembrandt, “Old Man in an Armchair” (1652), went on display at the National Gallery in London. van Rijn, Leiden 1606 - Amsterdam 1669 Porträt eines Greises mit goldener Kette - Portrait of an old man wearing a golden chain (1632) Museumslandschaft Hessen Kassel Rembrandt ist der bedeutendste und vielseitigste niederländischer Maler seiner Zeit, der … “It is what Rembrandt … The man in the gold cloak, enormous turban and tiny crown is Belshazzar, King of Babylon. In the process of changing the format of the painting the remaining part with the figures was slightly tilted to the left, The painting is covered by a disturbing layer of yellowed varnish, Partly unfinished, locally completed by later hand. Rembrandt transformed it into classical mountainous landscape around 1645, Grisaille serving as a design for a political print which was never realized, The painting originally was larger (c. 75 x 55 cm) and rectangular. The painting has suffered severely from overcleaning.
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